Entropia is a solo performance with visual interventions and movement codes structured on the triangular theory of love and the simulation of thermodynamic entropy in humans.
The work is inspired by three important female figures from the world of arts. Isadora Duncan, Frida Kahlo and Maria Callas themselves and their lives create a triangle whose each side represents a different art form. Each one, in some way, changes her art or influences it to a significant degree. Three priestesses: one dances, another paints and another sings.
Entropy is an irreversible state that occurs when a closed system declines and begins to dissolve, and there is no way to reunite the pieces (R. Smithson). It is the concept through which disorder is measured; its maximum value reflects complete disorganization and equates to the cessation of evolution or, in other words, the cessation of life.
Mirrors is a contemporary Greek play that explores themes of domestic violence, loneliness, female identity, and the struggle for self-recognition. Through monologues, dialogues, and choreographed fugues, the characters reveal fractured realities—women whose stories echo across generations and cultures. The play is both poetic and deeply realistic, blending silence, soundscapes, and visual metaphors such as the shattering of mirrors. It aims not only to tell individual stories, but also to create space for reflection, awareness, and dialogue around the urgent issue of domestic abuse.
The play is both poetic and deeply realistic, blending silence, soundscapes, and visual metaphors such as the shattering of mirrors. It aims not only to tell individual stories, but also to create space for reflection, awareness, and dialogue around the urgent issue of domestic abuse.
Ekthesis is a multi-meaning word. It refers to both exhibition and exposition; a showroom or a fair; an essay, a report or a show. Our Ekthesis is a solo body art performance with mixed performative media. Activating the performative dimensions of the ritual and through the invocation of social conventions and modern facts, the entire Ekthesis “exposes” issues from the painful reality such as overconsumption, domestic violence and social construction. At the same time simultaneously commenting on cultural marginalization, masculinity and stupidity. It centres on highlighting indifference, empathy, and behavioral attachment and dependence on technology. Ekthesis is referring to the possibility of self-reflection; we are simultaneously subjects and objects of the observation.
Based on poems by Thanasis Triaridis
A political, experiential and deeply contemporary theatrical proposal dealing with pushbacks and their multiple extensions: social, moral, human. The performance – a creation of the Hola_Lathos group – attempts to illuminate the voices that are not heard, through a contemporary theatrical idiom that combines speech, music, movement and soundscape. The performance was created through collective research, recording of testimonies and artistic processing of real events. It is a cry of resistance against border violence and the silence that covers it. The performance was created through collective research, recording of testimonies and artistic processing of real events. It is a cry of resistance against border violence and the silence that covers it.
